Inthe Finnish postal service even celebrated his impact with a set of commemorative postage stamps.
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You must be of legal age to enter. However, if these elements of his work are inspiringly subversive, the way Tom of Finland plays with imagery from the Third Reich is undoubtedly much more carhoons murky — even though Laaksonen unequivocally dismissed suggestions he might be a Nazi sympathiser. His muscular soldiers, lumberjacks and leathermen bikers were a direct contrast to the emasculating stereotypes that existed in his lifetime — Olivia Ahmad Laaksonen was more artist than businessman, and for many years he was poorly paid for his illustrations by both the niche titles who published them and fans who commissioned bespoke pieces.
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But nevertheless, his more explicit cartoons retains an unwavering capacity to shock. Fans can even buy a Tom of Finland leather jockstrapa development which would surely tickle the late illustrator. I am thinking only about the picture itself.
Laaksonen first drew a man of colour inand as his career progressed, he included more interracial couples in his drawings — something which certainly made his art feel even more taboo at the time. The whole Nazi philosophy, the racism and all that, is hateful to me, but of course I drew them anyway — they had the sexiest uniforms! His influential drawings cartoonss men in leather and biker outfits helped to inspire the popular Gay Clone look that Freddie Mercury and Frankie Goes to Hollywood adopted and brought into the mainstream, but also made his work appear exclusionary to other queer factions.
Byhowever, he was earning enough money to quit his day job at the advertising agency and devote himself fully to drawing.
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His popularity continued to grow during the last two decades of his life, and in he and Dehner formed the Tom of Finland Company to copyright earlier work which had been widely pirated. And without having to maintain the pretence necessary for Physique Pictorial, Laaksonen could make his mail-order drawings explicitly sexual rather than merely highly suggestive. Many of his illustrations show men with heavily muscled torsos and surreally large genitalia engaging gleefully in sex acts.
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Some early Tom of Finland illustrations depicting soldiers in Nazi uniforms are also inherently problematic. Equally, Tom of Cargoons continues to inspire creatives and fashion deers.
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